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10/27/2014

Veil

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Picture
Photograph by Reka Jellema. October 27, 2014. Untitled.
Veil

my eyes play tricks

the little girl
with the whisper voice
between the trees
my friend
passing
a bride
in the wind
her dandelion
kisses
whispering
the empty banquet room
two chairs dance
the first dance
the last
vapors
white lace
netting the dead
leaves
in the wake
of the gauzy bridal veil
an oak
threw twigs
like chicken bones
the flower children gnawed
them to the quick
shorter days
light shifts
lingering on mums
the undertaker
works overtime
eternal rest
the weeds remember
her tenderness
the way she let them live
October chill
her touch in the garden
long dead

Written with Jennifer Savage
Copyright By Reka Jellema & Jennifer Savage
October 27, 2014

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10/24/2014

When We Talk About Trains: A Conversation

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Picture
Photo art by Reka Jellema. October 24, 2014. Untitled.

When We Talk About Trains: A Conversation


up and down

the depot, just folks
a girl with a peacock hat
skirts clinging to her thighs
the heat
of the passenger train


                                                                       in the lonesome
                                                                       quilted prairie
                                                                       the train runs a line
                                                                       of stitches


vietnam
tunnel a hole
in the eyes
of the boxcar men
the lullaby
of the night train
rocking, rocking
the way home


                                                                        when the train
                                                                        was a cradle
                                                                        that rocked me
                                                                        slow …
                                                                        and when you
                                                                        did the same


between stations
longing
for downhome fiddling,
the blur of corn, the open
door of the boxcar
and a mandolin
postcard towns
every train
cut down
to size


                                                                      

                                                                     one place or another
                                                                     it’s all the same
                                                                     on the orphan train
                                                                    
today, the city,
                                                                     tomorrow, arkansas
                                                                     all of the straw
                                                                     plucked
                                                                     from the scarecrow


Idling at the railway crossing
the train drowns out
the velvet underground


                                                                      remember
                                                                      that cautionary tale
                                                                      the headphones that kept him
                                                                      from hearing
                                                                      the train


the day came
nothing was enough
no more gin, not one drop
of comfort: all I knew
I could count
railroad ties

I knew the times
of the trains by heart
head on, headlights,
goodnight


                                                                     bars of light and noise
                                                                     apartment
                                                                     by the el
                                                                     train
                                                                     life
                                                                     train
                                                                     living


low tide
a flat horizon
glisten
from sand to sea
the train roars through
not stopping


                                                                      in every other life
                                                                      she was a ladybug
                                                                      reductive, red
                                                                      & spotted
                                                                      sometimes reincarnation
                                                                      works that way,
                                                                      father said, pointing
                                                                      at the train --
                                                                      her face
                                                                      kept chugging



creosote soaks
our noses
skipping
from rail to rail
shiny on top

                                                                      waiting for the ride
                                                                      to end
                                                                      the bleary drone

                                                                      of horn


one man
one guitar
and a long blue
grass song
about trains



                                                                     the stop before
                                                                     the last stop
                                                                     hop on
                                                                     watch the rush
                                                                     of the Dakotas


a harmonica
grows teeth
blows holes
in my soul
a harmonica
chainsaws
and the train
rolls on


                                                                     bends
                                                                     around the hills
                                                                     seeing our own end
                                                                     and the prisoners
                                                                     below
                                                                     the golden grass
                                                                     just before the tunnel


All her stories connect
like boxcars
mexico
singapore
delta oil


                                                                     it’s all the same
                                                                     hollow rain
                                                                     sound of an empty freight


blowing horn
sudden gray
this always train


Written with Jennifer Savage
Copyright Reka Jellema & Jennifer Savage
October 24, 2014

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10/24/2014

Ways to Say Goodbye

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Picture
Photograph by Reka Jellema. 24 October 2014. Untitled.
For Ted and Norma
For Dirk and Gus

Ways to Say Goodbye
(Part 1)


I
It`s 4am my darling, I
have waited for your sleep
To say goodbye

The nurse has vowed
to care for you
That one with braided hair
and honesty

residing in
deep pools behind
her eyes

You`ll not discern
just where I`ve gone
in the muddle
of your mixed up mind

Not sure myself
where I`m going,
Only know

the longing
and the love
will be staying

II
The time
is always 4am -
the dying.

Where is our place
in this undertaking?

We have known
bedsides

Our sister
clasps your wrists
and swabs the cobwebs
from your throat

These ungodly mornings:
The dying
They wait until Christmas
to disperse

III
A brother leaves us
huddled at the foot
Auntie speaks in tongues
over the bed
I hiss at her
until she turns to tea
Little one
you saw a man
with wings
he sat with you
and counted beads
on your rosary
only
Our Father
could bear
the end


Written with Kathryn Ross
Copyright Reka Jellema & Kathryn Ross
25 October 2014

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10/24/2014

Canine

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Picture
Photograph by Reka Jellema. October 25, 2014. "Jos"
Canine

With heart of hound

We pawed the ground
Our panting hung in canine
Clouds

The chilled air
Crisped our mouths

And by our gods
Alone we quavered
Dogging every word
Of favor
From our master's
Tongue

We licked
Our spots; divined
A crotch
From miles off

Unleashing 
With each nudge of snout

Scents by the millions
Stars exploding 
Pungent edge of lawns, uprooted
Trees, and variegated clumps
Of weeds

Our nostrils quivered 
And our tails shot up

And by her lead
We reached
The promised fields
Clover green
And the dandelion seed
Scattered in our
Frenzied embarkation

Written with Brendan Bonsack
Copyright Reka Jellema & Brendan Bonsack
25 October 2014

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10/24/2014

Minuet

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Picture
Photo Art Copyrighted by Victoria Pettella. Please visit Victoria's blog for more beautiful images: http://www.heartofawizardess.blogspot.com
Minuet

she held her lace
as if it were a harp
and played crocheted
the holes
the notes
that plucked the dark

her lace, in knots and loops
a threaded tune spun fine,
desire's minuet, the kind
that plays your fingers
in every key of blind


Written with Brendan Bonsack
Copyright Reka Jellema & Brendan Bonsack
25 October, 2014

Photo Art by Victoria Pettella

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10/14/2014

Unraveling

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Picture
Photograph by Reka Jellema. June 2011. Untitled. For Addie.
Unraveling

Plastic taste of water
in her jug, loose threads
in a crocheted rug
How long before it unravels
Remembering my ball in the boot
Just wanna kick it, kick it
and run
My feet punching holes
in the snow
Mum yellin' at me --
for doin' nothin'
Grabbin' me in a hug squeezin'
the breath outta me, she reckons
Nana's better off here

She's far better off there, Sis
Look at her
she doesn't even know
you anymore, and this place
look at it
No, I don't mean it like that
You know I don't mean
Don't look at me like that
I called
I wrote
I came back didn't I?

How could he look at me
that way? he was a liar,
a prattler, like Da.
My raw bones crawl into
the edges of that shawl
The one Mum crocheted
her fingers gray and worn
This bench is cold
and on the road a car
slow and shined as death drives by
it's hard to breathe--
the playground bairns stare
snowballs at me
Mum is near a memory
I'm losing 
my
way home

With Kathryn Ross and Brendan Bonsack
By Kathryn Ross, Brendan Bonsack, and Reka Jellema
October 2014

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10/14/2014

EMILY

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Picture
Photograph by Reka Jellema. Taken September 2014. Untitled.

EMILY

(Inspired by "Young Woman on the Shore," a painting by Edvard Munch)

once her dress
her dress was white
pockets filled
with snow and ice
her dress
its hem was endless
a sentence by Dickinson
sewn on a scrap

small hands gath'ring
a view condensed
haunted by the doubled-edge
of solitude, and reams
of braided words that seemed
a soundless stretch
a depth of blue

her girdle fast
like a finger band
a gasp cinched
in a sachet
a cricket caged
in a locket
round her neck

round her hair
a ribbon of red
an ache escaped
its lacings and clasps
undo this knot twined
'neath her breast

    Listen ~

Her wrist pulsed
slender threads
a beat beneath
fingertips

her wrist
her wrist

her dress was white
'twas pockets
filled with snow and ice
she walked
in winter on the frozen lake
she pictured the thawing

she saw she saw
the harebell field
stared like a sea
dense like a promise,
a splayed memory


With Kathryn Ross and Brendan Bonsack
By Reka Jellema, Kathryn Ross, and Brendan Bonsack
October 2014

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10/9/2014

You Know of What I Speak

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Picture
Photography by Reka Jellema. August 2014. Untitled.
This flesh I found,
a fresh spot
in the sonorous decay,
in rotting paint,
the kind that strips down
to bare plaster at a wink
and balks when you eyeball
a window pane or lick
graffiti from a fence --

You know of what I speak,
O soulful derelict, my mate--

The sort of wall that crumbles
at a touch, moans a little much
for the slump
of the over-stuffed love seat:

This is our place. A petrol hole
We filled our tanks
surveyed the mileage, held fast
to the knowledge
nothing is useless. Scrap
metal and street chalk,
a dust bin frottage
mounted on remembrance.

We like to look.

We like to look, to book a flight
Below us, sprawled in neon light
Erotic City, a homing device
Or so the rumours murmur,
mouthing and lapping one another
slick and sticky
with what may
or may not be.


Inspired by the words and art of Louis Hawkins
By Reka Jellema
October 2014





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10/6/2014

What Shape It Takes

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Picture
Photograph by Reka Jellema. September 2014. Untitled
What Shape it Takes

See how this love for you
Has channeled my face
Trace tributaries
From brow to cheek
Give me your hand
And ask what shape
It takes. This love
I gave in perfect drops
Of melting snow
The saline bead poised
At the mountain top


Written with Brendan Bonsack
By Brendan Bonsack and Reka Jellema
September 2014

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10/6/2014

The Cave Divers

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Picture
Photo art by Reka Jellema. September 2014. Untitled.
The Cave Divers

Slanting shaft of light, spear the rocks
And chink the porous coral-rivered sea
Guise the gelatinous mass of blue
So what we see is fanciful: 
Three cubs
And a bear on the hunt for food
A white dwarf star that lost its place
In the cosmos
A hammerhead maneuvers, descends
Through the murk
As divers shimmy, bodies sleek as seals
Illumine the deep, her constellations
Of caverns
And men of the cave, divers
Clung to the precious last
of their breaths
As urchins put all that faith
in their tests
Slow and as sure
As geology's long howl
into the void


Written with Brendan Bonsack
By Reka Jellema and Brendan Bonsack
September 2014

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